LOT-EK
SPILL (from 1 to 29)

we break a container to protest its invasiveness and invite proximity and contact

completed

2023

exhibited

Hosfelt Gallery, San Francisco / selection at MassArt, Boston

dimensions

29 pieces of varying dimensions from 25"x2"x16" to 124"x62"x62"

materials

cut-up shipping container / paint / shipping blankets / LED strip lights / wiring

collaborators

Hector Song + Reza Zia + Romain Dubettier + Tala Salman, project team / Sanober Khan + Francesco Lagioia, research+text / contribution of Thomas de Monchaux + Marci Pei.

audio collaborators

our work on the container ports is accompanied by a collective recording. Reflections of personal experiences of the threshold between ground and water from around the planet are interspersed with data on shipping and its environmental impact. We thank our friends who shared their stories:
Vasudha Karnani, Goa, India + Barcelona, Spain / Andrea Lagioia, Parma, Italy / Francesco Lagioia, Stromboli, Italy / Irmak Turanli, Istanbul, Turkey / Tala Salman, Beirut, Lebanon / Patricia Anahory, Cabo Verde + Atlantic Ocean / and Sanober Kahn who helped us collecting them

photography

Miles Pieterson

awards

concept & vision

SPILL begins in response to the elusiveness and opacity of the shipping world. And to its excess. Our container has been vivisected or dissected – or cut apart or broken open – to incite pause. Its fragments are literally spilled: to welcome, to allow wondering, seating, connections and conversations, around them and in close proximity, as this completely mysterious object is now fully exposed to all

design & architecture

a 20-foot container is cut into 29 pieces of different sizes and shapes. It is designated ‘out of service’. It is container number AKLU6022124. It was built in 2006. It is red. Its travel records, entirely typical of the almost inestimable 5 to 170 million shipping containers in the world, are mostly unknown. We know that over the past two years it has been in China, Singapore, Korea, Myanmar, and between those places, in international waters, on the lawless sea

program & use

Cuts that favor the 90-degree moments of the containers create leftovers that are simply propped up and steadied to be used and occupied. The entirety of the container is utilized—a moment of awareness and recognition; and celebrated—the ingenuity of the object and system, its essential simplicity in endless transformation. A set of projections, also mined from existing imagery, displays and uncovers the relentless repetition of container ports along the shorelines of our planet. With their fantastic geometries and geographies. With their violence to the richest ecology on Earth, found always at the threshold of ground and water

impact & significance

SPILL invites proximity and intimacy. Of people with one another, And between those people, individually or collectively, with the shipping container as an object: now so very close to our bodies, so very small, and so very accessible. SPILL is a pause, SPILL is a SPELL. We notice. We celebrate. We ruminate. We are surprised, shipwrecked, joyful, outbound, abroad, aboard, overboard, at sea, off course, and on alert

Dec 1, 2026

LOT-EK lectures at RIT Vignelli Center, Rochester

LOT-EK lectures at RIT Vignelli Center, Rochester

Nov 16, 2026

LOT-EK lectures at Jefferson University CADE, Philadelphia

LOT-EK lectures at Jefferson University CADE, Philadelphia

Oct 10, 2026

The Black Schoolhouse opens!

The Black Schoolhouse opens!

Sep 14, 2026

The Black Schoolhouse on World Architects

The Black Schoolhouse on World Architects

Sep 10, 2026

The Black Schoolhouse on The Architect’s Newspaper

The Black Schoolhouse on The Architect’s Newspaper

Jul 7, 2026

LOT-EK on Wallpaper* US400 list

LOT-EK on Wallpaper* US400 list

Apr 6, 2026

LOT-EK and Carroll House on PIN-UP 40

LOT-EK and Carroll House on PIN-UP 40

Mar 16, 2026

LOT-EK on koozArch

LOT-EK on koozArch